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| JAN GREENBERG |
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SANDRA JORDAN |
Jan and Sandra are pleased to share the reviews for Ballet for Martha
Kirkus Best Books 2010
PW Best Books 2010
Booklist Editor's Choice 2010
SLJ Best Books 2010
Washington Post Best Books 2010
Boston Globe Best Books
Horn Book Fanfare
ALA Notable Book
NCTE 2011 Orbis Pictus award
ALSC's 2011 Sibert Honor
“... inspired ... Capturing the drama of dance, music, and stage design in a two-dimensional format is no easy feat, but this team does it with a noteworthy grace of their own.”
—Publishers Weekly
“Through the use of active sentences in the present tense and brief quotes, the authors convey the excitement and drama of the creative process and the triumph of the ballet. ... A stunning achievement. Archival photographs embellish the biographical notes at the end - a lovely touch.”
—Kirkus
“Using spare, concise sentences, the authors echo Graham’s approach to dance: like the movements in her choreography, nothing is wasted, and in such exactness lies the beauty. Greenberg and Jordan are careful to explain that Graham was an uncommon kind of dancer crafting a different type of ballet: Floca's fluid, energetic line-and-watercolor illustrations echo the plain boldness of Graham's choreography and make readers feel almost as if they were present at the inaugural performance of Appalachian Spring at the Library of Congress in 1944.”
—Horn Book
“... How does an idea go from a jotted note on choreographer Martha Graham’s pad to a fierce triumph? In crisp yet patient sentences, the authors begin with a vision: a story to be told in movement and music, an American pioneer tale ... The book as a whole beautifully captures the process of artistic creation ...”
—Booklist
“If Martha Graham’s choreography for “Appalachian Spring” was a “valentine” to the world, as critics wrote in 1944, then this book is a love letter in return. Simple, poetic prose tells the story of the creation of one of the world’s most-loved ballets and compositions, and Floca’s graceful watercolor illustrations take admirers through every part of its development. Written in the present tense, the narrative has a sense of drama that carries readers along as if the events were happening in real time. ... “curtain call,” notes, and resources pages… read like a fantastic set of liner notes. ... a gem that is approachable for young readers.”
—School Library Journal
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